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- Descripción:
- The Adinatha or Rishabnatha Temple in the Bhandasar Temple Complex. It is a subsidiary shrine situated to the south of the complex. It is relatively smaller in size than the Bhandasar Temple. The temple is not austere in treatment. It is a simple structure with planned walls and one entrance facing the east.
- Palabra clave:
- Bada Bazaar, 16th century CE, Bikaner, Shekhari Style of Temple Architecture, Architecture, Tirthankara, Seth Bhandasar Jain Temple, Sumatinatha, Jain, Bhanda Shah ka Jain Mandir, Temple, Rajasthan, Rathore Dynasty, Rao Lunkaran, and Raos of Bikaner
- Creador:
- Temples of India Project
- Contribuidor:
- Swapna Joshi
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Ubicación:
- Bikaner
- Fecha de Subida:
- 02-06-2024
- Fecha Modificada:
- 02-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descripción:
- This painting in the inner/upper circle in the ceiling of the mandapa (pillared hall) depicts the 23rd Jain Tirthankara, Parshvanath, standing on a multi-headed naga (serpant), with the hood crown positioned above the head of the lord. A naga couple in anthropomorphic form stands flanking the Tirthankara and bows down to him. Parshvanath wears a crown and is adorned with jewellery. There are two gandharvas (celestial beings) in the sky above him. The inscription reads, ‘Parasnath Shvami.’
- Palabra clave:
- Bada Bazaar, 16th century CE, Rao Lunkaran, Shekhari Style of Temple Architecture, Architecture, Tirthankara, Seth Bhandasar Jain Temple, Sumatinatha, Jain, Bhanda Shah ka Jain Mandir, Temple, Rajasthan, Rathore Dynasty, Bikaner, and Raos of Bikaner
- Creador:
- Temples of India Project
- Contribuidor:
- Swapna Joshi
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Ubicación:
- Bikaner
- Fecha de Subida:
- 02-06-2024
- Fecha Modificada:
- 02-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descripción:
- The thirteenth oval painting (in clockwise order) in the lower/outer circle in the ceiling of the mandapa (pillared hall) is the episode from Jinadatta Suri's life that took place in Ajmer. Once, an ominous stroke of lightning in the evening threatened the fellow monks and followers of Dada Jin Dutt Suri while they were performing pratikraman with him. Dada Jin Dutt Suri captured the lightning under his alms bowl and instructed everyone to continue with the pratikraman without fear. Lightning is shown as yellow strokes in the sky that the acharya (those who impart knowledge) collected in the bowl. Jinadatta Suri is shown sitting on a mat. The inscription reads, ‘shri jinadatta suri ji Bijali dabi.’
- Palabra clave:
- Bikaner, 16th century CE, Raos of Bikaner, Bhanda Shah ka Jain Mandir, Sumatinatha, Architecture, Rathore Dynasty, Bada Bazaar, Rao Lunkaran, Temple, Shekhari Style of Temple Architecture, Seth Bhandasar Jain Temple, Rajasthan, Tirthankara, and Jain
- Creador:
- Temples of India Project
- Contribuidor:
- Swapna Joshi
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Ubicación:
- Bikaner
- Fecha de Subida:
- 02-06-2024
- Fecha Modificada:
- 02-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descripción:
- The ninth oval painting (in clockwise order) in the lower/outer circle in the ceiling of the mandapa (pillared hall) is difficult to decipher. It appears to depict a sleeping couple, with a snake near the leg of the man. Outside the haveli (mansion) which houses this couple, there is an armed figure that looks like a soldier or guard in uniform.
- Palabra clave:
- Bikaner, 16th century CE, Raos of Bikaner, Bhanda Shah ka Jain Mandir, Sumatinatha, Architecture, Tirthankara, Bada Bazaar, Rao Lunkaran, Temple, Shekhari Style of Temple Architecture, Seth Bhandasar Jain Temple, Rajasthan, Rathore Dynasty, and Jain
- Creador:
- Temples of India Project Team
- Contribuidor:
- Swapna Joshi
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Ubicación:
- Bikaner
- Fecha de Subida:
- 02-06-2024
- Fecha Modificada:
- 02-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descripción:
- The Mahakal Temple mandapa (pillared hall) has a depiction of dikapalas (deities for cardinal directions). Kuber is one of them who is portrayed with four arms. He holds a money bag in his upper hand, a kamandalu (water pot) in his lower left hand, and a gada (mace) in his lower right hand. At the base of the niche, Kubera’s Mount Airavat is carved.
- Palabra clave:
- Bijolia Group of Temples, Nagara Style of Architecture, Mahakal Temple, Hazareshwar Temple, Bhilwara, Architecture, 11th to 13th century CE, Temple, Early Medieval, Rajasthan, Undeshwar Temple, Mandakini Kund, and Archaeological Survey of India (ASI)
- Creador:
- Temples of India Project Team
- Contribuidor:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Ubicación:
- Bhilwara
- Fecha de Subida:
- 01-06-2024
- Fecha Modificada:
- 01-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descripción:
- The details of the vedibandha (basal mouldings) of the southern garbhagriha (sanctum sanctorum) of the Mahakal Temple show that it consists of khura (hoof), kapotapalika (cyma recta), kumbha (pot), and kalasha (pitcher) mouldings. The stambhas (buttresses) filling the space between bhadras (central offset) of the jangha (wall) is also ornamented.
- Palabra clave:
- Nagara Style of Architecture, 11th to 13th century CE, Mandakini Kund, Archaeological Survey of India (ASI), Temple, Bijolia Group of Temples, Bhilwara, Early Medieval, Architecture, Hazareshwar Temple, Mahakal Temple, Rajasthan, and Undeshwar Temple
- Creador:
- Temples of India Project Team
- Contribuidor:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Ubicación:
- Bhilwara
- Fecha de Subida:
- 01-06-2024
- Fecha Modificada:
- 01-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descripción:
- The mandapa (pillared hall) leads to the antarala (vestibule or antechamber), a shallow passage distinguished by pillars along its sides. From there, one proceeds to the garbhagriha (sanctum sanctorum) of the Undeshwar Temple, featuring a meticulously carved doorframe. This doorframe exhibits a multi-shakha (vertical band or architrave) design, with each shakha adorned with various floral patterns, naga (serpant) figures and stambha (buttress). At the lower part of the doorframe, there are four female figures, two of whom hold kalashas (pitchers) while the other two hold chauris (fly whisks). Following them are four-armed dvarapalas (door guardians), each depicted with their respective attributes. Lastly, there is a figure of Kubera holding a money bag. Above the lalatabimba (lintels) on the doorframe's entablature, Nataraja is positioned at the center, flanked by seated goddesses, with Brahma and Vishnu depicted at the ends.
- Palabra clave:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Mahakal Temple, Undeshwar Temple, Nagara Style of Architecture, Hazareshwar Temple, and Bijolia Group of Temples
- Creador:
- Temples of India Project Team
- Contribuidor:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Ubicación:
- Bhilwara
- Fecha de Subida:
- 01-06-2024
- Fecha Modificada:
- 01-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descripción:
- To the east, there is the main garbhagriha (sanctum sanctorum) accessible via the antarala (vestibule or antechamber). The dvarashakha (doorframe) of this sanctum is crafted by featuring multiple sections and adorned with sculptures of davarapalas (door guardians) and women holding kalashas (pitchers). Although the lalatabimba (lintel) of the doorframe displays a seated figure, its condition is not well preserved. Positioned above the lintel, the entablature showcases Natesha at the center.
- Palabra clave:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Hazareshwar Temple, Undeshwar Temple, Nagara Style of Architecture, Mahakal Temple, and Bijolia Group of Temples
- Creador:
- Temples of India Project Team
- Contribuidor:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Ubicación:
- Bhilwara
- Fecha de Subida:
- 01-06-2024
- Fecha Modificada:
- 01-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descripción:
- The garbhagriha (sanctum sanctorum) of the Undeshwar Temple is a compact square chamber positioned 2.4 meters below the floor level of the mandapa (pillared hall). Access to the garbhagriha is facilitated by a flight of steps. Positioned at the center of the garbhagriha is a Shiva linga (aniconic representation of Shiva). The walls of the garbhagriha are unadorned and lack any ornamentation or figurative representation.
- Palabra clave:
- Mandakini Kund, 11th to 13th century CE, Early Medieval, Temple, Bhilwara, Rajasthan, Architecture, Archaeological Survey of India (ASI), Mahakal Temple, Undeshwar Temple, Bijolia Group of Temples, Hazareshwar Temple, and Nagara Style of Architecture
- Creador:
- Temples of India Project Team
- Contribuidor:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Ubicación:
- Bhilwara
- Fecha de Subida:
- 01-06-2024
- Fecha Modificada:
- 01-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- Descripción:
- On the steps and platform of the Mandakini Kund, several inscriptions are discovered in various states of preservation. These inscriptions are written in the Sanskrit language using the Devanagari script. A thorough examination of these inscriptions reveals valuable information, including the name of the temple, Mahakal, and the designation of the reservoir as Mandakini. Additionally, they provide details such as the date of the devotees' visit and their community affiliation. The inscriptions mention the worshipers' practice of visiting the Mahakal Temple and bathing in the Mandakini Kund. Dating from the 13th to the 15th centuries CE, some of these inscriptions specifically mention members of the Kayastha Mathur community.
- Palabra clave:
- Mahakal Temple, 11th to 13th century CE, Mandakini Kund, Archaeological Survey of India (ASI), Rajasthan, Bijolia Group of Temples, Bhilwara, Early Medieval, Undeshwar Temple, Hazareshwar Temple, Nagara Style of Architecture, Temple, and Architecture
- Creador:
- Temples of India Project Team
- Contribuidor:
- Dr Nikita Rathore
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Editor:
- Jio Institute
- Ubicación:
- Bhilwara
- Fecha de Subida:
- 01-06-2024
- Fecha Modificada:
- 01-06-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image