Index Catalog // Jio Institute Repository

41. Pilaster and Bracket details of the Garbhagriha

Descrizione:: Seen here are the pilaster and bracket details of the garbhagriha (sanctum sanctorum) entrance. The inner face of the pilaster has a painting of a doorkeeper, and the original surface, probably in stone, is covered entirely in meenakari (enamel) goldwork. The lalatbimba (lintel) has a figure of Jain Tirthankara. The use of gold embossing on the doorway is remarkable. It sets apart the garbhagriha from other parts of the temple interior.
Parola chiave:: Rao Lunkaran, Bikaner, Rajasthan, Seth Bhandasar Jain Temple, Rathore Dynasty, Temple, Bada Bazaar, 16th century CE, Bhanda Shah ka Jain Mandir, Tirthankara, Raos of Bikaner, Sumatinatha, Shekhari Style of Temple Architecture, and Architecture
Creatore:: Temples of India Project Team
Collaboratore:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editore:: Jio Institute
luogo:: Bikaner
Data caricata:: 31-05-2024
Data modificata:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

42. Enshrined image of Jain Tirthankara Sumatinath

Descrizione:: The enshrined image of Sumatinath, the fifth Jain Tirthankara. The sarvatobhadra (open from all four cardinal sides) sculpture of Sumatinath is placed on a high pedestal. The sculpture sits on a low platform which has a motif of a Krauncha (bird), which is lanchan (emblem) of the Tirthankara carved at the centre. The pedestal of the sculpture is adorned with gold embossing meenakari (enamel) artwork. On the front side of this pedestal is another sculpture, probably of another Tirthankara. The enshrined object is under a canopy supported by four pillars. All the sculptures are made of marble with ornamentation in red and gold colour. There are also some small portable sculptures of Tirthankara in the garbhagriha, probably donated as votive images.
Parola chiave:: Raos of Bikaner, Shekhari Style of Temple Architecture, Tirthankara, Architecture, Bhanda Shah ka Jain Mandir, Rathore Dynasty, Sumatinatha, Rao Lunkaran, 16th century CE, Rajasthan, Temple, Bikaner, Seth Bhandasar Jain Temple, and Bada Bazaar
Creatore:: Temples of India Project Team
Collaboratore:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editore:: Jio Institute
luogo:: Bikaner
Data caricata:: 31-05-2024
Data modificata:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

43. View of the Arches in the Mandapa of the Adinatha Temple

Descrizione:: Closer view of the arches in the mandapa (pillared hall) of the Adinatha Temple. The multi-colour arches have cartouche designs on the flanking pillars and the beams above the archway. The beams also have iron round rings. These might be used to attach temporary curtains or dividers.
Parola chiave:: Rao Lunkaran, Bikaner, Rajasthan, Seth Bhandasar Jain Temple, Rathore Dynasty, Temple, Bada Bazaar, Architecture, Bhanda Shah ka Jain Mandir, Tirthankara, Raos of Bikaner, Sumatinatha, Shekhari Style of Temple Architecture, and 16th century CE
Creatore:: Temples of India Project Team
Collaboratore:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editore:: Jio Institute
luogo:: Bikaner
Data caricata:: 31-05-2024
Data modificata:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

44. Verse written in Devanagri script

Descrizione:: A verse is written in Devanagari script above the lalatbimba (lintel) of garbhagriha (sanctum sanctorum) entrance to the Parshvanath shrine, in the Adinatha Temple.
Parola chiave:: Raos of Bikaner, Shekhari Style of Temple Architecture, Bikaner, Architecture, Seth Bhandasar Jain Temple, Rathore Dynasty, Sumatinatha, Bada Bazaar, 16th century CE, Rajasthan, Temple, Tirthankara, Bhanda Shah ka Jain Mandir, and Rao Lunkaran
Creatore:: Temples of India Project Team
Collaboratore:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editore:: Jio Institute
luogo:: Bikaner
Data caricata:: 31-05-2024
Data modificata:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

45. Paintings on the doorway of the Bhandasar Temple

Descrizione:: The main doorway that leads to the Bhandasar Temple is decked with various paintings. The pillars are painted white while the Bengal arch roof is painted blue. There is a painting of a Jain Tirthankara on the rectangular slab above the doorway.
Parola chiave:: Sumatinatha, Bada Bazaar, Raos of Bikaner, Bhanda Shah ka Jain Mandir, Temple, Rajasthan, Tirthankara, Bikaner, Architecture, Rao Lunkaran, 16th century CE, Seth Bhandasar Jain Temple, Shekhari Style of Temple Architecture, and Rathore Dynasty
Creatore:: Temples of India Project Team
Collaboratore:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editore:: Jio Institute
luogo:: Bikaner
Data caricata:: 31-05-2024
Data modificata:: 01-06-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

46. Bhandasar Temple at the centre of the Complex

Descrizione:: View of the entire elevation of the Bhandasar Temple from the southwest corner of the complex. The temple proper is painted in bi-chrome, red ochre and white, but the shikhara (superstructure) of the temple is only in white. The plinth of the temple looks like it was built in brick. However, the entire structural core is built in stone. The base of the shikhara has balconies on two terrace levels of the temple. These can be accessed from inside the temple. It is said that one can see the entire Bikaner city from these balconies.
Parola chiave:: Rao Lunkaran, Bikaner, Rajasthan, Seth Bhandasar Jain Temple, Rathore Dynasty, Temple, Bada Bazaar, Architecture, Bhanda Shah ka Jain Mandir, Tirthankara, Raos of Bikaner, Sumatinatha, Shekhari Style of Temple Architecture, and 16th century CE
Creatore:: Temples of India Project Team
Collaboratore:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editore:: Jio Institute
luogo:: Bikaner
Data caricata:: 31-05-2024
Data modificata:: 31-05-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

47. Staircase leading to the Porch of the Bhandasar temple

Descrizione:: This is the main entrance to the Bhandasar Temple. The staircase leads to a porch of the temple through which one enters the main temple. Though the temple has a staircase flanking the main entrance, this entrance seen in the picture is the principal ingress to the temple. Only the pillars of the front porch are painted in white and decorated in floral motifs.
Parola chiave:: Rathore Dynasty, Rao Lunkaran, Temple, Bada Bazaar, Sumatinatha, Shekhari Style of Temple Architecture, Seth Bhandasar Jain Temple, Bikaner, Bhanda Shah ka Jain Mandir, Tirthankara, Raos of Bikaner, Rajasthan, 16th century CE, and Architecture
Creatore:: Temples of India Project Team
Collaboratore:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editore:: Jio Institute
luogo:: Bikaner
Data caricata:: 31-05-2024
Data modificata:: 01-06-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

48. Details of the Pillars, Pilaster and the small strip of Wall

Descrizione:: Details of the pillars, pilaster and the small strip of wall flanking the principal entrance of the Bhandasar Temple. The small vertical wall space, flanking the entrance, depicts paintings of doorkeepers.
Parola chiave:: Rathore Dynasty, Rao Lunkaran, Rajasthan, Bada Bazaar, Sumatinatha, Shekhari Style of Temple Architecture, Seth Bhandasar Jain Temple, Bikaner, Architecture, Tirthankara, Raos of Bikaner, Temple, Bhanda Shah ka Jain Mandir, and 16th century CE
Creatore:: Temples of India Project Team
Collaboratore:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editore:: Jio Institute
luogo:: Bikaner
Data caricata:: 31-05-2024
Data modificata:: 01-06-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

49. View of the main entrance and side entrance to the Bhandasar Temple

Descrizione:: View of the west-facing main entrance and side entrance to the Bhandasar Temple. The entrances have semi-circular coloured glass windows, one of the essential influences of the British era period on the paintings in the temples. The eighteen and sixteen side bands of the ceiling were painted based on various themes.
Parola chiave:: Rathore Dynasty, Rao Lunkaran, Temple, Bada Bazaar, Sumatinatha, Shekhari Style of Temple Architecture, Seth Bhandasar Jain Temple, Bikaner, Architecture, Tirthankara, Raos of Bikaner, Rajasthan, Bhanda Shah ka Jain Mandir, and 16th century CE
Creatore:: Temples of India Project Team
Collaboratore:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editore:: Jio Institute
luogo:: Bikaner
Data caricata:: 31-05-2024
Data modificata:: 01-06-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

50. Details of the southern aisles in the Bhandasar Temple

Descrizione:: Details of the southern aisles in the Bhandasar Temple, which separates the exterior walls of the mandapa (pillared hall) and the central dome of the temple. The windows/doorway puncture the exterior wall equidistantly. Wooden planks used as doorways are beautified with frames of paintings. The paintings are from various themes like the depiction of twenty Tirthankaras, the work of Jain monks, important places of pilgrimage, and teachings of the Jain traditions, among several others.
Parola chiave:: Rathore Dynasty, Rao Lunkaran, Rajasthan, Bada Bazaar, Sumatinatha, Shekhari Style of Temple Architecture, Seth Bhandasar Jain Temple, Bikaner, 16th century CE, Tirthankara, Raos of Bikaner, Temple, Bhanda Shah ka Jain Mandir, and Architecture
Creatore:: Temples of India Project Team
Collaboratore:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Editore:: Jio Institute
luogo:: Bikaner
Data caricata:: 31-05-2024
Data modificata:: 01-06-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

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41. Pilaster and Bracket details of the Garbhagriha

42. Enshrined image of Jain Tirthankara Sumatinath

43. View of the Arches in the Mandapa of the Adinatha Temple

44. Verse written in Devanagri script

45. Paintings on the doorway of the Bhandasar Temple

46. Bhandasar Temple at the centre of the Complex

47. Staircase leading to the Porch of the Bhandasar temple

48. Details of the Pillars, Pilaster and the small strip of Wall

49. View of the main entrance and side entrance to the Bhandasar Temple

50. Details of the southern aisles in the Bhandasar Temple

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41. Pilaster and Bracket details of the Garbhagriha

42. Enshrined image of Jain Tirthankara Sumatinath

43. View of the Arches in the Mandapa of the Adinatha Temple

44. Verse written in Devanagri script

45. Paintings on the doorway of the Bhandasar Temple

46. Bhandasar Temple at the centre of the Complex

47. Staircase leading to the Porch of the Bhandasar temple

48. Details of the Pillars, Pilaster and the small strip of Wall

49. View of the main entrance and side entrance to the Bhandasar Temple

50. Details of the southern aisles in the Bhandasar Temple

Affina la ricerca