Index Catalog // Jio Institute Repository

Description:: View from the rear side, west-facing, of the Suswani Mata Temple consisting of the newly added walls surrounding it along with the Kera tree to the south, and other trees that are considered sacred by devotees. The original Latina shikhara (mono-spired north Indian variety of temple superstructure) can also be seen.
Keyword:: 10th century CE, Temples of India Project, Bikaner, Morkhana, Suswani Maa, Raja Mayurdhwaj, Archaeological Survey of India (ASI), Latina Nagara , Jodhpur Circle, Maru Gurjara, Rajasthan, Suswani Mata, Parvati, and Suswani Mata Temple
Creator:: Temples of India Project Team
Contributor:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Publisher:: Jio Institute
Location:: Bikaner
Date Uploaded:: 26-07-2024
Date Modified:: 26-07-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

Description:: The fifth oval painting (in clockwise order) in the lower/outer circle in the ceiling of the mandapa (pillared hall) is the episode where Jinadatta Suri saved the life of an unwell child brought to him by two women. The episode takes place outside a haveli, probably near the place where the acharya (those who impart knowledge) is meditating. The acharya is shown blessing the child by placing his palm on the child’s head. The inscription reads, ‘Shri Jinadatta Suriji balak jivayo.’
Keyword:: Bikaner, 16th century CE, Raos of Bikaner, Bhanda Shah ka Jain Mandir, Sumatinatha, Architecture, Tirthankara, Bada Bazaar, Rao Lunkaran, Jain, Shekhari Style of Temple Architecture, Seth Bhandasar Jain Temple, Rajasthan, Rathore Dynasty, and Temple
Creator:: Temples of India Project Team
Contributor:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Publisher:: Jio Institute
Location:: Bikaner
Date Uploaded:: 24-07-2024
Date Modified:: 24-07-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

Description:: The first oval painting (in clockwise order) in the lower/outer circle in the ceiling of the mandapa (pillared hall) is the depiction of the meeting between Jain acharya (those who impart knowledge) Shri Jinachadra Suri and the Mughal Emperor Akbar. He was invited to the Mughal court through Akbar’s court official Karamchand Bacchawat, who was from Bikaner. The painting has havelis (mansions) in the background, and the two leaders greet each other at the forefront. It is also said that Karamchand went to receive Jinachandra Suri on the outskirts of the city. The inscription reads, ‘Shri Jinadatta Suriji Akbar Badshah.’
Keyword:: Bada Bazaar, 16th century CE, Rao Lunkaran, Raos of Bikaner, Architecture, Tirthankara, Seth Bhandasar Jain Temple, Sumatinatha, Jain, Bhanda Shah ka Jain Mandir, Temple, Rajasthan, Rathore Dynasty, Bikaner, and Shekhari Style of Temple Architecture
Creator:: Temples of India Project Team
Contributor:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Publisher:: Jio Institute
Location:: Bikaner
Date Uploaded:: 24-07-2024
Date Modified:: 24-07-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

Description:: Seen here is another face of the sarvatobhadra (open from all sides), which features a depiction of a Ganesha icon. The four-handed image is depicted in a sitting posture, although the specific attributes of the icon are difficult to identify. The niche containing the Ganesha icon is topped by a pyramidal shikhara (superstructure). The Ganesha icon is characterized by long elongated ears, and the trunk curls up to rest on a bijapuraka (citron fruit).
Keyword:: Raja Mayurdhwaj, Latina Nagara , Jodhpur Circle , Morkhana, Rajasthan, Parvati, Temples of India Project, Suswani Mata Temple, Bikaner, Maru Gurjara, Suswani Maa, Suswani Mata , Archaeological Survey of India (ASI), and 10th century CE
Creator:: Temples of India Project Team
Contributor:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Publisher:: Jio Institute
Location:: Bikaner
Date Uploaded:: 25-06-2024
Date Modified:: 26-06-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

Description:: The hero stone slabs feature depictions of human figures in the upper half, while the lower half shows faint traces of inscriptions. Though illegible, closer examination suggests the inscription were likely written in the Devnagari script. The content of the inscription remains unknown, but typically inscriptions on hero stones detail of the deceased and the time of the craving. Palaeographically, the script can tentatively be placed within a broad timeframe from 12th to 15th centuries CE. However, due to the deteriorated condition of the stone slabs, no definitive conclusions can be drawn.
Keyword:: Jodhpur Circle , Latina Nagara , Temples of India Project, Raja Mayurdhwaj, Morkhana, Rajasthan, 10th century CE, Parvati, Bikaner, Archaeological Survey of India (ASI), Maru Gurjara, Suswani Mata Temple, Suswani Mata , and Suswani Maa
Creator:: Temples of India Project Team
Contributor:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Publisher:: Jio Institute
Location:: Bikaner
Date Uploaded:: 25-06-2024
Date Modified:: 25-06-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

Description:: In the second small panel in the hero stone, positioned just below the row depicting the hero, stand two female figures with folded hands in namaskar mudra (salutation gesture). Their upright posture is emphasized by their drapery consisting of a decorated lower garment. The female figures represent celestial damsels believed to have arrived to escort the hero to heaven.
Keyword:: Jodhpur Circle , Latina Nagara , Temples of India Project, Raja Mayurdhwaj, Morkhana, Rajasthan, 10th century CE, Parvati, Bikaner, Archaeological Survey of India (ASI), Maru Gurjara, Suswani Mata Temple, Suswani Mata , and Suswani Maa
Creator:: Temples of India Project Team
Contributor:: Swapna Joshi
Owner:: tushar1.ayyar@jioinstitute.edu.in
Publisher:: Jio Institute
Location:: Bikaner
Date Uploaded:: 25-06-2024
Date Modified:: 25-06-2024
Rights Statement Tesim:: In Copyright
Resource Type:: Image

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