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Srija Sahay
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- La description:
- Debris from the original temple was salvaged when the current temple was reconstructed in the 1940s. These have been assembled in parts to form the jagati (raised platform). However, it is not known where they were located in the original temple or if they came from multiple structures. The assembled sections here consist of two blocks stacked on the jagati. The upper block has the kalpavrisksha (tree of life) motif running along a central band. The panels on either side are damaged but visible features include the kalpa lata (creeper) motif (bottom left), the purna ghata (overflowing pot of prosperity) motif (mid-sections), and the kirtimukha motif (bottom right). The block in the middle has the ardha padma (half lotus) motif.
- Mot-clé:
- Gurjara-Pratihara, Rajasthan, Harshatmata, Abhaneri, Temple, Architecture, and Shakhambari Chahamanas
- Créateur:
- Temples of India Project Team
- Donateur:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Éditeur:
- Jio Institute
- Emplacement:
- Abhaneri
- Date de téléchargement:
- 08-03-2024
- Date modifiée:
- 11-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- La description:
- Couples invoking shringara rasa (associated with romance, love and attractiveness between lovers) are framed in panels with pillars and shikhara with gavaksha (horseshoe) motifs. They sport elaborate coiffure and wear jewellery, indicating they are royalty. The central male figure is seated in the rajalilasana pose (both legs raised on the seat, palm of the feet together) on a raised seat. The central female figure is seated on the left of the man, on a separate seat, in the malasana (squat) pose. Male and female attendants flank the central figure from the left and right respectively. All the figures are watching a performance (not in the frame) and looking in unison towards the left. The male figure is holding a flower in his right hand and the left hand pressing on his left knee. His feet are placed on a lotus throne. The right hand of the female figure is placed on her chin expressing wonder. The male attendant is playing a musical instrument.
- Mot-clé:
- Architecture, Rajasthan, Temple, Harshatmata, Shakhambari Chahamanas, Gurjara-Pratihara, and Abhaneri
- Créateur:
- Temples of India Project Team
- Donateur:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Éditeur:
- Jio Institute
- Emplacement:
- Abhaneri
- Date de téléchargement:
- 08-03-2024
- Date modifiée:
- 11-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- La description:
- Debris from the original temple was salvaged when the current temple was reconstructed in the 1940s. These have been assembled in parts to form the jagati (raised platform). However, it is not known where they were located in the original temple. The architectural pattern used on the jagati or adhisthana of the temple with half floral motifs and step-like figures.
- Mot-clé:
- Gurjara-Pratihara, Rajasthan, Harshatmata, Abhaneri, Temple, Architecture, and Shakhambari Chahamanas
- Créateur:
- Temples of India Project Team
- Donateur:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Éditeur:
- Jio Institute
- Emplacement:
- Abhaneri
- Date de téléchargement:
- 08-03-2024
- Date modifiée:
- 11-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- La description:
- This panel depicts a warrior invoking raudram rasa (fury/rage) by aggressively wielding a drawn sword. The theme may be based on the medieval miniature painting of the Ragamala series. Ragini Lalita has a similar theme where the king departs for an expedition and the women of the palace convince him to stay. The central figure of a warrior-king is aggressively stepping forward wielding a naked sword in his right hand. A dagger is tucked into his kamarbandha (waist belt). The central female figure (seen on the left) may be a queen, who is trying to stop the man by pulling him behind. Another lady is standing in front of the man (seen on the right) and sporting long braided hair, but with her face and hands damaged. On the ground, between the feet of the man, a small figure (likely a servant) is grovelling for mercy.
- Mot-clé:
- Architecture, Rajasthan, Temple, Harshatmata, Shakhambari Chahamanas, Gurjara-Pratihara, and Abhaneri
- Créateur:
- Temples of India Project Team
- Donateur:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Éditeur:
- Jio Institute
- Emplacement:
- Abhaneri
- Date de téléchargement:
- 08-03-2024
- Date modifiée:
- 11-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- La description:
- Couples invoking shringara rasa (associated with romance, love, and attractiveness between lovers) are framed in panels with pillars and tiered shikhara with gavaksha (horseshoe) motifs. Unlike in other parts of the temple, the faces are not damaged and they wear heavy jewellery, elaborate headgear, and garments, indicating they belong to royalty or a high social class. The central male figure is seated in the lalitasana pose on a raised circular seat. The central female figure is seated on his left thigh, looking towards the man. Both rest their right feet on blooming lotus flowers. The man is embracing the woman, placing his left hand over her left shoulder. The woman reciprocates his gesture by placing her right hand over his right shoulder. The man is caressing the woman’s right breast with his right hand. Chauri dharini (fly whisk bearers) flank the couple.
- Mot-clé:
- Architecture, Rajasthan, Temple, Harshatmata, Shakhambari Chahamanas, Gurjara-Pratihara, and Abhaneri
- Créateur:
- Temples of India Project Team
- Donateur:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Éditeur:
- Jio Institute
- Emplacement:
- Abhaneri
- Date de téléchargement:
- 08-03-2024
- Date modifiée:
- 11-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- La description:
- Debris from the original temple was salvaged when the current temple was reconstructed in the 1940s. These have been assembled in parts to form the jagati (raised platform). However, it is not known where they were located in the original temple. The base has an ardha padma (half lotus) surrounded by geometric patterns. The panel in the middle has an ornate bird, probably a mayura (peacock), bordered by a creeping vine motif. The next two levels are mouldings depicting floral and vine patterns.
- Mot-clé:
- Architecture, Rajasthan, Temple, Harshatmata, Shakhambari Chahamanas, Gurjara-Pratihara, and Abhaneri
- Créateur:
- Temples of India Project Team
- Donateur:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Éditeur:
- Jio Institute
- Emplacement:
- Abhaneri
- Date de téléchargement:
- 08-03-2024
- Date modifiée:
- 11-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- La description:
- Debris from the original temple was salvaged when the current temple was reconstructed in the 1940s. These have been assembled in parts to form the jagati (raised platform). However, it is not known where they were located in the original temple. Bas relief of a peacock picking the food from the ground. A ring is placed on the neck of the bird.
- Mot-clé:
- Gurjara-Pratihara, Rajasthan, Shakhambari Chahamanas, Abhaneri, Temple, Architecture, and Harshatmata
- Créateur:
- Temples of India Project Team
- Donateur:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Éditeur:
- Jio Institute
- Emplacement:
- Abhaneri
- Date de téléchargement:
- 08-03-2024
- Date modifiée:
- 11-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- La description:
- Debris from the original temple was salvaged when the current temple was reconstructed in the 1940s. These are assembled to form the jagati (raised platform), hence they are not in their original position. This fragment, for example, known as sukanasa (or sukanasi), was part of the shikhara, located above the entrance to the garbhagriha or inner shrine. The sukanasa (or sukanasi) is usually featured above the entrance to the garbhagriha or inner shrine and often contains the figure of the presiding deity to which the temple is dedicated (missing in this sukanasa). The corners of the arch have inverted conch motifs. The top of the arch has an elaborate kalapavriksha (tree of life) motif.
- Mot-clé:
- Architecture, Rajasthan, Temple, Harshatmata, Shakhambari Chahamanas, Gurjara-Pratihara, and Abhaneri
- Créateur:
- Temples of India Project Team
- Donateur:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Éditeur:
- Jio Institute
- Emplacement:
- Abhaneri
- Date de téléchargement:
- 08-03-2024
- Date modifiée:
- 11-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- La description:
- Couples invoking shringara rasa (associated with romance, love, and attractiveness between lovers) are framed in panels with pillars and tiered shikhara with gavaksha (horseshoe) motifs. Unlike other sections of the temple, the faces of these couples are not damaged and they are wearing heavy jewellery, elaborate headgear, and garments, indicating their royal lineage. The central male figure is seated in the lalitasana pose on a raised seat. The central female figure is seated on his left thigh, looking towards the man with her head turned. The man is admiring the beauty of the woman, placing his left hand on her coiffure and inspecting her face with his left hand (missing). Chauri dharini (fly whisk bearers) stand on either side of the couple, looking towards them. A small female figure features at the right bottom and is likely an attendant or servant.
- Mot-clé:
- Architecture, Rajasthan, Temple, Harshatmata, Shakhambari Chahamanas, Gurjara-Pratihara, and Abhaneri
- Créateur:
- Temples of India Project Team
- Donateur:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Éditeur:
- Jio Institute
- Emplacement:
- Abhaneri
- Date de téléchargement:
- 08-03-2024
- Date modifiée:
- 11-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image
-
- La description:
- Couples invoking shringara rasa (associated with romance, love, and attractiveness between lovers) are framed in panels with pillars and tiered shikhara with gavaksha (horseshoe) motifs. Unlike other sections of the temple, the faces of the couples are not damaged and they are wearing heavy jewellery, elaborate hairstyle, and garments, indicating their royal lineage. The central male figure is seated in the lalitasana pose on a raised seat. The central female figure is seated on his thigh, looking towards the man with her head turned. Both rest their right feet on blooming lotus flowers. The man is holding a flower in his right hand while the woman gently rests her right hand on his left foot. Trees in the background suggest they are in a grove. The couple is surrounded by four male and female attendants. The female attendant in the top right is larger and is holding a sword in her right hand, indicating she is a warrior.
- Mot-clé:
- Architecture, Rajasthan, Temple, Harshatmata, Shakhambari Chahamanas, Gurjara-Pratihara, and Abhaneri
- Créateur:
- Temples of India Project Team
- Donateur:
- Srija Sahay
- Owner:
- tushar1.ayyar@jioinstitute.edu.in
- Éditeur:
- Jio Institute
- Emplacement:
- Abhaneri
- Date de téléchargement:
- 08-03-2024
- Date modifiée:
- 11-03-2024
- Rights Statement Tesim:
- In Copyright
- Resource Type:
- Image