Yama, the guardian of the southern realm, stands with an air of solemnity and grace. Despite the loss of his upper right hand, which once held the danda (rod of justice), his presence remains commanding. In his upper left hand, he holds a rooster. His lower left hand holds a kamandalu (water pot), and his lower right-hand holds a rosary and makes a varada hasta (boon-giving gesture). Crowned and adorned with jewels, Yama is accompanied by his mount, the buffalo.
The four-armed Agni is depicted with a shruka (sacrificial ladle) and a pustaka (book) in his upper hands. His lower right-hand makes a varada hasta (boon-giving gesture), while his lower left hand holds a kamandalu (water pot). He is adorned with a jatamukuta (crown of matted hair), a moustache, and a long, intricately knotted beard, He is bejewelled and accompanied by his mount, the ram.
Indra, the God of heaven, is depicted with four arms. In his upper right hand, he holds a vajra (thunderbolt), and in his upper left hand, an ankusha (goad). His lower right-hand makes a varada hasta (boon-giving gesture) and holds a rosary, while his lower left hand carries a kamandalu (water pot). Crowned, Indra is accompanied by his mount, the elephant.
The figure installed in the bhadra (central offset) niche of the lateral wall of the garbhagriha (sanctum sanctorum) is particularly noteworthy. This unidentified deity is depicted as if it is moving through the air, with one leg raised backward. Although many of the deity’s multiple arms are broken, the intact hands display a shankha (conch shell) and a chakra (discus) in the front right and left hands, an unidentified object in the middle left hand, and a pushpa (flower) in the upper right hand.
The bhadra (central offset) on the rear wall of the garbhagriha (sanctum sanctorum) is installed with the figure of Brahma. Despite significant damage, the deity is depicted seated on a pedestal, with three faces and four arms. While his upper arms are broken, he holds a kamandalu (water pot) in his lower left hand and makes a varada hasta (boon-giving gesture) with his lower right hand. He is adorned with a jatamukuta (crown of matted hair), a moustache, and a beard.
The bhadraratha (central projection) features a seated Vishnu, intricately carved with four arms. Crowned, Vishnu holds a gada (mace) and a chakra (discus) in his upper hands. His lower right-hand holds an akshamala (rosary) while also making a varada hasta (boon-giving gesture). Although his lower left hand is broken, Vishnu is adorned with large circular earrings, a broad beaded necklace, a breast band, a girdle, bangles, and anklets.
Vayu (one of the deities of the cardinal directions) is depicted with four arms, each holding his respective attributes. Crowned, Vayu is accompanied by his vahana (mount), the antelope, positioned at his feet. In his upper hands, he holds a dhvaja (flag), while his lower left-hand grasps a kamandalu (water pot). His lower right-hand holds a rosary and also makes a varada hasta (boon-giving gesture).
Kubera, the God of wealth, is depicted as four-armed, accompanied by his vahana (mount), the elephant. Crowned and bejewelled, Kubera holds a money bag in his upper hand, a gada (mace) in his lower right hand and a kamandalu (water pot) in his lower left hand.
The ceiling of the garbhagriha (sanctum sanctorum) of the Kaner-ki-Putli Temple is square in shape and consists of concentric squares design. It is adorned with a fully bloomed flower in the centre.
On the right corner of the rear or eastern wall of the garbhagriha (sanctum sanctorum), there is another male deity identifiable as a dikapala (deity of the cardinal directions). The four-armed deity, like others, has been subject to damages, with his face entirely erased and three of his arms broken. The well-adorned dikapala is depicted holding a trishula (trident) in his upper right hand. Seated at the bottom is a bull, indicating that this figure may be Ishana, often portrayed holding a trishula with a bull as his vahana (mount).